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Three large mobile harrows are placed inside a gravel field. These instruments, whose design is inspired by traditional agricultural machinery, rake gravel in a circular manner. Here visitors will be active participants in the composition and the deconstruction of the garden. Unlike the Japanese Zen garden, which is designed to be seen from the outside, this garden will be viewed, created and experienced from the inside, through a joyful and playful activity. As visitors walk away from the roundabouts, their footsteps violate the orderly pattern of the gravel. Once they get back on the roundabouts and spin them, the garden returns to its ordered perfection. 

Architect: Talmon Biran architecture studio Roy Talmon & Noa Biran

Years of exhibition: 2015, 2016, 2017

 
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